Dec 17

I’m not promising a feature or anything, I just put the Vol. 1 there just in case my colleagues want to follow up, or if I find a youtube video of another fantastic moment in horrible TV history.

Now, I’m not saying that TV is bad. By any means. I’m the type of person to sit in front of a TV and zone out for days. You may even need to detach me from my couch using a spatula every few days to prevent me from becoming grafted to the couch. It’s the reason I don’t own a TV and the reason I try to avoid it.

That being said, there is some seriously terrible programming out there. And there are some seriously unfunny people on TV. Nick Cannon is one of them.

Back in college Nick (this blog’s Nick, not Nick Cannon) and I, often joined by others (Nasco), used to sit around and just watch anything. We watched the bobble-head Italian food chick and Paula Deen at lunch way more often than I’d like to admit. Daily basis at one point maybe. We also managed to watch the aforementioned Mr. Cannon’s, Wild ‘n Out.

That’s some seriously unfunny stuff most of the time. Listening to Nick Cannon is like chewing tin foil. No exaggeration. He did have some great guests though, and they made the show what it was: nothing to write home about most of the time, but every once in a while you’d get a pop culture nugget that would keep you laughing for days…or in my case a couple of years later.

The clip featured below, the great moment I’ve been alluding to, is from the episode featuring Lil Jon, born Jonathan Mortimer Smith (WHAT!?!?!),  doing his version of “London Bridge.” Absolutely stellar performance.

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Dec 16

Dear Dave,

Don’t get sentimental. Jokes aside, you make an interesting point. Given the music is so closely tied to image, style, fashion, and other media, I’m wondering where things will go in terms of those as well under the Carter Theory. Will we delve into fashion trends of the past? Will we be wearing 80’s garb AND singing along to our favorite 80s songs? Will movies and sitcoms fall back on older pop gems to supply their soundtracks? And given that, will we be making movies about the past? Maybe TV and movies could be a vehicle for new music. You know how many indie songs end up on soundtracks for movies and TV series, and in commercials. After all that’s how our dear friend Feist made it big. I will be curious to watch all of this unfold.

There is always a big thing though, be it a pop gem or not, someone gets the spotlight, and some record company makes a killing. While mass marketing may not be the same now as it was before, other things in the past just kind of blew up on their own, through independent circuits. Nirvana’s “Smells Like Teen Spirit,” was a bit of a fluke in the sense that college radio started playing it and people latched onto it immediately. That’s the first example that comes to mind. But grunge was a huge success, an enormous movement that had us all angsty and flannel-clad. And you never hear people rocking out to Nirvana at bars. At least I don’t.

While I agree that there are songs that lend themselves to being mass marketed and constantly played at bars for people’s enjoyment, there are movements that propel themselves on their own and THEN the market capitalizes on them. Grunge, hip-hop, and all that jazz (badum bum). There are other ways for things to get big, and there will still be “shared-experience pop music,” it just might not be your grandmother’s shared pop music.

Until then we can continue listening to Bon Jovi masterpieces like this one:

Or who knows, maybe we’ll be stuck in a world full of awesome covers of classic 80’s songs like this one by Petra Haden:

And just for kicks, how about this cover by Finnish symphonic metal cover supergroup, Northern Kings:

Sincerely,

Marcelo

P.S. How sweet are metal covers?

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Dec 16

jukebox-300x280 You Might As Well Just Keep Believin

I’m a 23 year-old male, and I spend a lot of time in bars.  If you’re anywhere within the ages of 18 and 35, then you can probably relate to the following:  you go to a bar that has either a band or a dj, and without really understanding why, by the end of the night you find yourself screaming along, at the top of your lungs, to some ‘classic’ like “Pour Some Sugar on Me” or “Don’t Stop Believin’.”  And if that’s true, then you probably fall into one of two mindsets: Either,

A) you looooove 80’s music and love wailing ‘just a city boyyyy!’ at the top of your lungs, or

B) you grudgingly drink until you’d yell just about anything, and scream along with the lyrics because hey, why not, everyone’s doing it?

I place myself firmly in category B, and my friends have all heard my (often drunken) ‘why the hell does everyone love 80’s music so much?’ rant.  But that’s not what this post is about.  Not exactly. (I encourage someone smarter and more interested than I am to probe the murky depths of my generation’s fascination with 80’s one-hit-wonders.)

No, the true source of my anger / disappointment / resigned acceptance is the death of shared pop music.  As Major Record Labels make layoffs and Radio Stations lose market share the pop market is effected in 2 major ways:

  1. There are fewer ‘huge bands’ that sell millions of records (e.g. Coldplay, Britney Spears, etc.) so that the market dissipates, and artists at the end of the long tail gain more market share, and
  2. Said ‘huge bands’ no longer reach mass audiences on the airwaves.

And now, a quick anecdote: Back in the late 90’s, my friends and I used to come home from school every day and watch the now defunct TRL.  It was a far cry from great television, and its audience generally lost interest sometime after the age of 13, but it was a crucial part of the cultural zeitgeist.  I remember when Britney Spears’ “…Baby One More Time” video came out, largely because it was around the same time my libido went into hyperdrive, but also because it was everywhere, all the time.  And that’s the point: TRL’s top 10 may not have been populated by the ‘best’ music, but virtually every song on that countdown was a huge radio and commercial hit.  Which meant that everyone my age knew “…Baby One More Time” and all the other mega-smash hits that bombarded our airwaves.

britney-spears-rolling-stone-1999-219x300 You Might As Well Just Keep Believin

But that rarely happens anymore.  And it will happen less and less in the coming years, as the market continues to splinter and diversify.  TRL has gone off the air, MTV plays virtually no music, radio stations are already cementing their playlists in the 80’s and 90’s, and the old machines of pop mass-marketing are headed for extinction.  Which means that the number of shared pop songs will continue to diminish as well.  Oh, the Britney Spears’ of the world will continue making music, but now you won’t hear that fresh new single everywhere you go.  Which brings me back to those drunken nights where I wear out my vocal chords to some song I don’t even like.

Most bars, like most radio stations, play songs with the most mass appeal.  There are niche, corner bars that play whatever they want, or that let patrons take over the jukebox, but for the most part, bar playlists are a collection of what’s ‘hot’ and what’s ‘popular among drunk people.’  So you have your Top 40 hits (Flo Rida, anyone?), and your old classics (Journey, natch).

Now, I understand that as the host of a so-called indie music blog, I’m at the extreme of the “Top 40 vs. Indie/Smaller Band” spectrum.  But this effects us all, people.  It is entirely possible that in 10 years, there won’t be any Top 40 left, or if there is, it will be a hollow shell of its former already-pretty-hollow self.

So there will be virtually no shared-experience pop music, but bars still have to play something that appeals to the majority of their audience.  And when the Flo Rida’s of the world fail to reach critical mass, the bars will simply resort to the old zeitgeist.  Which means (drumroll please)…We will be listening to “Don’t Stop Believin’” in bars for the rest of our lives.

Happy Holidays!

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Nov 13

In response to Marcelo’s post on ODB, I present the greatest performance the man ever gave, certainly the greatest known rendition of “Build Me Up Buttercup,” and, dare I say, possibly the greatest slice of music ever recorded.  Old Dirty Bastard née Big Baby Jesus née Dirt McGirt née Old Dirty Chinese Restaurant (seriously, check out this wikipedia article, it is a treasure trove of awesomeness) lends his vocals to the chorus in this Rhymefest song (another great artist, but I’ll leave the hip-hop to Marcelo).

Rhymefest - “Build Me Up featuring ODB”:

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Oct 28

patriot_promo_poster-201x300 Immigration Services Failproof Gotcha Questions

At my job, I work with a lot of immigrants and my office helps them apply for various statuses: green cards, visas, citizenship, etc.  One service that draws a lot of people is Temporary Protected Status (TPS), which the US offers to various countries whose people have been/are enduring hardship.  More specifically, we get a lot of Salvadorans and Hondurans in this office.

As part of this process, the prospective immigrant has to answer 30 some yes or no questions to determine their eligibility.  These questions range from useful to batshit-fucking-insane, and I’m fairly certain that they’ve never stopped anyone from entering the country.  For your perusing pleasure, here is an assortment of questions our Great Nation uses to keep out the unwanteds:

  • Have you engaged in or do you continue to engage in terrorist activities?

Really? You think we’re gonna catch terrorists by asking them nicely?

  • Have you been or do you continue to be a member of the Communist or other totalitarian party, except when membership was involuntary?

Nevermind the fact that the Red Scare ended 50 years ago, this is a great tactic.  If only they’d had something similar at Ellis Island, we could’ve kept those pesky anarchists out too.

  • Have you participated in Nazi persecution or genocide?

This is a personal favorite, not least because any remaining Nazi ‘persecutors’ would have been about 7 when they were commanding Auschwitz.

  • Have you within the past ten years, engaged in prostitution or procurement of prostitution or do you continue to engage in prostitution or procurement of prostitution?
  • Follow-up: Have you been or do you intend to be involved in any other commercial vice?

Frankly I think it’s unfair that prostitution, in every possible form, should get its own shout-out above all other commercial vices.  Other commercial vices, according to a google search, include “keeping a bawdy house, procuring, or transporting women for immoral purposes.”

Which is kind of the same thing, except one uses the phrase ‘bawdy house,’ which in my opinion should get its own question, and probably some follow-up questions to inquire about the nature of said bawdy house.

And finally:

  • Do you practice polygamy?

Which is totally unfair, because we let the Mormons stay.

If I’ve learned one thing through all this, it’s that maybe building a giant fucking wall across 1,951 miles of territory is not in fact the stupidest thing our government has tried to keep out the undesirables.

God Bless America!

patriota-228x300 Immigration Services Failproof Gotcha Questions

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Oct 24

So Dave recently posted on the song “Working for the Weekend,” by international pop sensation Loverboy. First thing that came to mind: Scrubs. Check this out:

First of all, I wish I could dance like Turk. Sadly, I cannot. Back to my association with Dave’s song, as you can see in the video, “Working for the Weekend” is followed by “Poison” by Bell Biv DeVoe. And it’s an awesome song.

That’s some great early 90’s R&B (new jack swing if you want to get technical) if I do say so myself. The vocal sample that can be heard throughout “Poison” by Bell Biv DeVoe is sampled from the song “Poison” by Kool G Rap. The sample is one of Kool G Rap exclaiming the word “poison,” which is taken from the opening line of his song.

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Oct 21

I have a compulsion.  An unhealthy, OCD-style disease of the brain that I fight every day, tooth and nail, to suppress.  I’ll be sitting at my desk, working, and I’ll receive an IM from a friend: “Hey, how’s work?”

Then, from a deep, dark place in my brain that I have tried my hardest to eliminate, I hear the wail of an 80s guitar, and from the bottomless abyss of my soul, lyrics float to the surface of my consciousness:

“Everybody’s workin’ for the weekennnnnnnnnd”

I fucking hate this song. I didn’t even know who Loverboy was until I tried to find the song on youtube.  It is the bane of my existence, and virtually everytime somebody asks me how work is, this goddamn song pops into my head.  And worst of all, I’m fairly certain that I am in fact working for the weekend.

So, in an effort to exorcise my Loverboy demon, I’m posting the video for all of you.  Even if I can’t get it out of my head, at least I can infect the rest of you.

P.S. God what a bunch of assholes:

loverboy-300x199 Songs I Dont Even Like that Get Stuck In My Head

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Oct 21
Oh Noes!
icon1 Dave | icon2 Pop Culture | icon4 10 21st, 2008| icon31 Comment »

Some have expressed doubts that our website is dying. This is not so.

Click that link.  It’s probably the most awesome (awesomest?) piece of music that has yet been posted here.

Also, in the interest of keeping a steady flow of content, here’s a picture of a rabbit with a pancake on its head:

pancake_rabbit-757968-300x225 Oh Noes!

Hooray internet!

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Sep 25

radiohead_in_rainbows2-300x300 Radiohead Remix #2: Reckoner

Just got an email from waste, Radiohead’s merchandise arm.  As some of you may be aware, they held a remix contest several months ago for their song “Nude,” off their latest album In Rainbows.  Radiohead intentionally released that song for the remix contest because it’s in 6/8, a difficult time signature to remix, half as a joke, and half to see what people could come up with.

That contest was a success, apparently, so they’re doing another one for the song “Reckoner,” which is certainly my favorite song on the album, and probably top 3 all time favorites.  Color me excited.  Also, the song is in the much more common/stable 4/4 time signature, so it will be much easier to tool around with.

You can head over to the official site, where you can listen to some of the remixes people already sent in.  And, if you have any inclination towards remixing yourself (and/or own a copy of GarageBand), there’s a link to pick up all the different tracks from the song via iTunes.

Radiohead - Reckoner

As for the “Nude” remixes, there are thousands of them out there, some better than others.  My personal favorite is the Holy Fuck remix:

Holy Fuck - Nude (Remix)

Also, for something really cool (and something that undoubtedly took waaaaay too much time to complete), James Houston, an art student from Glasgow, remixed the song using a bunch of old computer hardware he had lying around.  This one’s been floating around the internet for some time now, but if you haven’t seen it, it’s well worth the trouble.


Big Ideas (don’t get any) from James Houston on Vimeo.

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Sep 24

So a few nights ago I rewatched the first two episodes of It’s Always Sunny in Philadelphia  Season 4 which debuted last Thursday on FX, and will be on Hulu “eight days after their initial TV broadcast.” That’s the next Friday for those of us who don’t have TV’s.

Anyways I’m not giving away much by saying that one of the episodes features the Ghostbusters theme. After hearing the theme and having it fresh in my memory, naturally I youtubed it, and I found this glorious piece of work by Ray Parker Jr.

One of the things you might notice right away is that the video is incredibly corny, and chock full of cameos. Just to name a few of them, Chevy Chase, John Candy, and Jeffrey Tambor a.k.a. George Bluth Sr. to most of us. And yes, Chevy Chase does in fact appear twice in the video.  Feel free to point out any others in the comments section.

The Ghostbusters theme lead me to my next youtube search, which is of course, Mistah F.A.B.’s classic, “Ghost Ride It.” “Da Yellow Bus Rydah” mayn.

This of course lead to great videos of people ghost riding.

First, the ghost riding grandma. The old dude is the man. I hope that when I’m an old man I can be at least half as cool/ridiculous, at most three times as cool/ridiculous. Otherwise that would be too much.

Next up, the cop that ghost rides her cop car. I think this is pretty badass. Especially since she cooks that fool.

So that’s my post. Enjoy.

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